From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 33.
Strana 141
... comes marching in drie fattes ; fritters and pancakes comes trowling in in wheele barrowes ; hennes and orenges hopping in porters baskets , colloppes and egges in scuttles , and tartes and custards comes quavering in in mault shovels ...
... comes marching in drie fattes ; fritters and pancakes comes trowling in in wheele barrowes ; hennes and orenges hopping in porters baskets , colloppes and egges in scuttles , and tartes and custards comes quavering in in mault shovels ...
Strana 151
... comes of course too late . The monstrous birth is death , and Iago's metaphors ( " I have't ! It is engend'red " [ I. iii . 409 ] ) imply that change in the world of the play is as inevitable as biology . The special treatment of space ...
... comes of course too late . The monstrous birth is death , and Iago's metaphors ( " I have't ! It is engend'red " [ I. iii . 409 ] ) imply that change in the world of the play is as inevitable as biology . The special treatment of space ...
Strana 183
... comes he not , comes he not ? " ( 1926 ) . The source for Soliman and Perseda describes an elaborate tournament ( p . 38 ) , which the playwright , perhaps Kyd , drama- tizes when two comic characters mount ladders - presumably placed ...
... comes he not , comes he not ? " ( 1926 ) . The source for Soliman and Perseda describes an elaborate tournament ( p . 38 ) , which the playwright , perhaps Kyd , drama- tizes when two comic characters mount ladders - presumably placed ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words