From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 50.
Strana 31
... difference between prose fiction sources and their Elizabethan dramatic adaptations is the difference between the means of imitation in the two genres . The Faustus of Marlowe's source , for example , records his anguished words in a ...
... difference between prose fiction sources and their Elizabethan dramatic adaptations is the difference between the means of imitation in the two genres . The Faustus of Marlowe's source , for example , records his anguished words in a ...
Strana 37
... difference between a prose fiction source and a play is the difference between a genre whose means of imitation is constructs alone and a genre whose means of imitation is an amalgam of percepts and constructs . This difference accounts ...
... difference between a prose fiction source and a play is the difference between a genre whose means of imitation is constructs alone and a genre whose means of imitation is an amalgam of percepts and constructs . This difference accounts ...
Strana 189
... difference between these speeches is neither the difference between the characters who speak nor the difference between a satirical Monsieur Kinsayder and a prose Shakespeare . It is the difference between an aesthetic which welcomes ...
... difference between these speeches is neither the difference between the characters who speak nor the difference between a satirical Monsieur Kinsayder and a prose Shakespeare . It is the difference between an aesthetic which welcomes ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words