From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 88.
Strana 161
... drama proceeds from impossible hypotheses , leaps over unrealistic distances , destroys the orderly progression of time , and calls the gods down from Olympus and the Devil from Hell.22 Sidney complains that men " are desirous to know ...
... drama proceeds from impossible hypotheses , leaps over unrealistic distances , destroys the orderly progression of time , and calls the gods down from Olympus and the Devil from Hell.22 Sidney complains that men " are desirous to know ...
Strana 212
... drama is a time - based genre , that “ drama , above all other arts , is the temporal art " .17 Just as dramatic adaptation amalgamates construct and percept , it also amalga- mates space and time . It differs from prose fiction in ...
... drama is a time - based genre , that “ drama , above all other arts , is the temporal art " .17 Just as dramatic adaptation amalgamates construct and percept , it also amalga- mates space and time . It differs from prose fiction in ...
Strana 225
... drama apart from characters and from their responses to its flow , either in memory of the past , in specifying its passage in the present , or in anticipation of the future . Since the drama unfolds an ever - present now , generates at ...
... drama apart from characters and from their responses to its flow , either in memory of the past , in specifying its passage in the present , or in anticipation of the future . Since the drama unfolds an ever - present now , generates at ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words