From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
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The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His Contemporaries Max Bluestone. INTRODUCTION THE PREVALENCE OF ELIZABETHAN DRAMATIC ADAPTATION Shakespeare first appears in theatrical history when Robert Greene ...
The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His Contemporaries Max Bluestone. INTRODUCTION THE PREVALENCE OF ELIZABETHAN DRAMATIC ADAPTATION Shakespeare first appears in theatrical history when Robert Greene ...
Strana 12
The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His Contemporaries Max Bluestone. decreases in the numbers of characters , the nomenclature of charac- ters and settings , the concealment or revelation of sources ...
The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His Contemporaries Max Bluestone. decreases in the numbers of characters , the nomenclature of charac- ters and settings , the concealment or revelation of sources ...
Strana 14
The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His Contemporaries Max Bluestone. another in describing the adaptive relations that recur in certain representative plays . That I have not always succeeded will ...
The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His Contemporaries Max Bluestone. another in describing the adaptive relations that recur in certain representative plays . That I have not always succeeded will ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words