From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 31.
Strana 228
... flow . No adaptation , however , can easily achieve a perfect copy of time's flow , which would require that the staged events correspond in duration exactly to the elapsed time in the theatre . In the Eliza- bethan theatre , the two ...
... flow . No adaptation , however , can easily achieve a perfect copy of time's flow , which would require that the staged events correspond in duration exactly to the elapsed time in the theatre . In the Eliza- bethan theatre , the two ...
Strana 230
... flows as imperceptibly as possible . The dramatist of The Weakest Goeth to the Wall demonstrates an easy awareness of how to make time flow theatrically . He almost invariably fixes on mo- ments of flux in selecting materials from the ...
... flows as imperceptibly as possible . The dramatist of The Weakest Goeth to the Wall demonstrates an easy awareness of how to make time flow theatrically . He almost invariably fixes on mo- ments of flux in selecting materials from the ...
Strana 340
... flow and in medias res entrances , 220-222 , 229-230 flow and specification , 225-232 flow and translocalizations , 228 lapses , 228 manipulation of , 213-224 and moral emphasis , 266 , 291 , 296 and motive , 23-26 and nature of ...
... flow and in medias res entrances , 220-222 , 229-230 flow and specification , 225-232 flow and translocalizations , 228 lapses , 228 manipulation of , 213-224 and moral emphasis , 266 , 291 , 296 and motive , 23-26 and nature of ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words