From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 62.
Strana 103
... hand to his head or crown as he speaks the words , " Thus high at least " . The words imply that Shakespeare is writing with the figure in his eye . A similar passage is that in which Falstaff attempts his own version of Gad's Hill ...
... hand to his head or crown as he speaks the words , " Thus high at least " . The words imply that Shakespeare is writing with the figure in his eye . A similar passage is that in which Falstaff attempts his own version of Gad's Hill ...
Strana 116
... hand , this white hand , these pretty fingers must spin , must card , must work ; work , you bombast cotton - candle quean ; work for your living , with a pox to you ! " When Eyre finds that he cannot get Rafe off , he compares him with ...
... hand , this white hand , these pretty fingers must spin , must card , must work ; work , you bombast cotton - candle quean ; work for your living , with a pox to you ! " When Eyre finds that he cannot get Rafe off , he compares him with ...
Strana 120
... hands , Florizel's Romeo- like play with a conceit of the hand - I take thy hand - this hand , As soft as dove's down and as white as it , Or Ethiopian's tooth , or the fann'd snow that's bolted By the northern blasts twice o'er , ( IV ...
... hands , Florizel's Romeo- like play with a conceit of the hand - I take thy hand - this hand , As soft as dove's down and as white as it , Or Ethiopian's tooth , or the fann'd snow that's bolted By the northern blasts twice o'er , ( IV ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words