From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 75.
Strana 125
... LANGUAGE Because the drama is an amalgam of percept and construct , the dramatic adaptation of prose fiction vests in the percept of the actor's figure the ... LANGUAGE FOR THE ACTOR'S FIGURE Because it couples language to Language.
... LANGUAGE Because the drama is an amalgam of percept and construct , the dramatic adaptation of prose fiction vests in the percept of the actor's figure the ... LANGUAGE FOR THE ACTOR'S FIGURE Because it couples language to Language.
Strana 126
... LANGUAGE FOR THE ACTOR'S FIGURE Because it couples language to the body , drama is more than panto- mime . Because it cannot dismember the body , it is not film . Because neither an omniscient narrator nor an omniscient camera ...
... LANGUAGE FOR THE ACTOR'S FIGURE Because it couples language to the body , drama is more than panto- mime . Because it cannot dismember the body , it is not film . Because neither an omniscient narrator nor an omniscient camera ...
Strana 134
... language and figure in dramatic adaptations of prose fiction and the playwrights ' regard for the organic use of language with which to annotate the figure suggest that the lan- guage - figure amalgam is a locus of adaptive activity ...
... language and figure in dramatic adaptations of prose fiction and the playwrights ' regard for the organic use of language with which to annotate the figure suggest that the lan- guage - figure amalgam is a locus of adaptive activity ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
8 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words