From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 42.
Strana 286
... marriage and romantic love , should straddle a prose version of Romeo and Juliet . Marston could not have been ... marriage typifies the coterie critique of popular ideals of love and marriage as inferred from the plays alone.29 Coterie ...
... marriage and romantic love , should straddle a prose version of Romeo and Juliet . Marston could not have been ... marriage typifies the coterie critique of popular ideals of love and marriage as inferred from the plays alone.29 Coterie ...
Strana 288
... married status , but since the world of the play precludes honorable marriage , in general , it is difficult to credit the insistence . Marriage is impossible in the world of the play , because women are incapable of sustaining their ...
... married status , but since the world of the play precludes honorable marriage , in general , it is difficult to credit the insistence . Marriage is impossible in the world of the play , because women are incapable of sustaining their ...
Strana 292
... marriage govern these adaptive responses to the sources . Popular adaptations take for granted the unity of love and mar- riage . There is no love without marriage and no marriage without love . If the source portrays a marriage without ...
... marriage govern these adaptive responses to the sources . Popular adaptations take for granted the unity of love and mar- riage . There is no love without marriage and no marriage without love . If the source portrays a marriage without ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words