From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 35.
Strana 9
... matter from " old bookes " . In using such matter , he says , the writers merely celebrate their reading and signal " their own folly so much , that they bring it to the Stake raw , and undigested : not that the place did need it ...
... matter from " old bookes " . In using such matter , he says , the writers merely celebrate their reading and signal " their own folly so much , that they bring it to the Stake raw , and undigested : not that the place did need it ...
Strana 25
... matter . Let me illustrate by citing another Shakespearean study which suggests the relevance of source study in criticism . Leslie Hotson attempts to reconstruct the first performance of Twelfth Night by bringing to bear a great store ...
... matter . Let me illustrate by citing another Shakespearean study which suggests the relevance of source study in criticism . Leslie Hotson attempts to reconstruct the first performance of Twelfth Night by bringing to bear a great store ...
Strana 57
... cary to my ladie . And because it is a matter of importaunce , and requireth hast , thou were compelled to bring it this night . " Knocking at the gate somewhat softely , [ they entered ] , ... and the CONSTRUCTS AND PERCEPTS 57.
... cary to my ladie . And because it is a matter of importaunce , and requireth hast , thou were compelled to bring it this night . " Knocking at the gate somewhat softely , [ they entered ] , ... and the CONSTRUCTS AND PERCEPTS 57.
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words