From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 84.
Strana 256
... moral emphasis is to assume the playwright's intentional freedom to choose a moral stimulus other than the one observed . And the assumption entails another assumption , which is that a play has moral substance , that mimetic ...
... moral emphasis is to assume the playwright's intentional freedom to choose a moral stimulus other than the one observed . And the assumption entails another assumption , which is that a play has moral substance , that mimetic ...
Strana 259
... moral distinctions have relevance for literary criticism and literary history , if we agree with Samuel Johnson that Shakespeare's " description of material objects " includes an " intermixture of moral notions " , we must agree with Mr ...
... moral distinctions have relevance for literary criticism and literary history , if we agree with Samuel Johnson that Shakespeare's " description of material objects " includes an " intermixture of moral notions " , we must agree with Mr ...
Strana 291
... moral tradition implied in these changes has led to the opinion that Heywood's A Woman Killed with Kindness fails to distinguish between actions that have " moral reality and ... such as have only sentimental reality " .33 To this ...
... moral tradition implied in these changes has led to the opinion that Heywood's A Woman Killed with Kindness fails to distinguish between actions that have " moral reality and ... such as have only sentimental reality " .33 To this ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words