From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 67.
Strana 15
... passages from Sidney's Arcadia , and where in another passage he uses materials from Grimestone's translation of Matthieu's supplement to de Serre's General Inventorie of the History of France , Hall's Characters , a sixteenth - century ...
... passages from Sidney's Arcadia , and where in another passage he uses materials from Grimestone's translation of Matthieu's supplement to de Serre's General Inventorie of the History of France , Hall's Characters , a sixteenth - century ...
Strana 68
... passage emphasizes not so much the phenom- enal reality of the battle as the Euphuistic sensibility of the narrator . It is the kind of passage for which Sidney criticized Lyly's " coursing of letters " . The puns in " resounding " and ...
... passage emphasizes not so much the phenom- enal reality of the battle as the Euphuistic sensibility of the narrator . It is the kind of passage for which Sidney criticized Lyly's " coursing of letters " . The puns in " resounding " and ...
Strana 207
... passage of time . In the flow of events across the stage the audience can also perceive the passage of time . Adam grows weary in the Forest of Arden . Birnam Wood comes to Dunsinane . The shifting spaces of events the characters enact ...
... passage of time . In the flow of events across the stage the audience can also perceive the passage of time . Adam grows weary in the Forest of Arden . Birnam Wood comes to Dunsinane . The shifting spaces of events the characters enact ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words