From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
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Strana 201
... past into the present and by implication its distant domesticity as she sings poor Barbary's Willow Song . The little invented episode between Othello and Gratiano seems designed practically to cover the time for the posse's return with ...
... past into the present and by implication its distant domesticity as she sings poor Barbary's Willow Song . The little invented episode between Othello and Gratiano seems designed practically to cover the time for the posse's return with ...
Strana 219
... past wretchedness . Desde- mona seeks comfort from Emilia , but out of her regard for Othello she keeps the search delicately indirect . She sings the hauntingly portentous song and ends the scene in supplication : “ Good night , good ...
... past wretchedness . Desde- mona seeks comfort from Emilia , but out of her regard for Othello she keeps the search delicately indirect . She sings the hauntingly portentous song and ends the scene in supplication : “ Good night , good ...
Strana 225
... past , apparently inspired by Sterne , Joyce , Proust , and even by insipid film flashbacks . Novels more highly developed than Renaissance novels can clarify the present in terms of the past , usually by means of memory and stream - of ...
... past , apparently inspired by Sterne , Joyce , Proust , and even by insipid film flashbacks . Novels more highly developed than Renaissance novels can clarify the present in terms of the past , usually by means of memory and stream - of ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words