From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 76.
Strana 37
... percepts all . Since matter so weighty as virtue resides in percepts , the actors must manage them carefully . They must not saw the air gracelessly with their hands nor make distracting faces . But Hamlet's theatre is a theatre of ...
... percepts all . Since matter so weighty as virtue resides in percepts , the actors must manage them carefully . They must not saw the air gracelessly with their hands nor make distracting faces . But Hamlet's theatre is a theatre of ...
Strana 51
... percepts in the actors who describe these things . As constructs , the verbal allusions differ from the source constructs in being dramatic utterances , spoken on the stage , not read or listened to as narratives unaccompanied by ...
... percepts in the actors who describe these things . As constructs , the verbal allusions differ from the source constructs in being dramatic utterances , spoken on the stage , not read or listened to as narratives unaccompanied by ...
Strana 54
... percepts , Jonson anyway avers that " Whosoever loves not Picture is injurious to Truth . " 55 Goethe presumably appreciated from a distant vantage point the perceptual " picture " in Shakespeare's theatre . Shakespeare , he says ...
... percepts , Jonson anyway avers that " Whosoever loves not Picture is injurious to Truth . " 55 Goethe presumably appreciated from a distant vantage point the perceptual " picture " in Shakespeare's theatre . Shakespeare , he says ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
8 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words