From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
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Strana 25
... play . In Hotson's reading , the play becomes topical satire . Olivia becomes Mary Fitton , and Malvolio , Sir William Knollys , who was being considerably embarrassed by his relationship with her , enceinte as she was when ...
... play . In Hotson's reading , the play becomes topical satire . Olivia becomes Mary Fitton , and Malvolio , Sir William Knollys , who was being considerably embarrassed by his relationship with her , enceinte as she was when ...
Strana 192
... play . Olivia's garden is more realistic and immanent than any of them : " Let the garden door be shut " ( III.i.103 ) . And there is of course the buttery from which Toby and Andrew supply themselves with cakes and ale . The attenuated ...
... play . Olivia's garden is more realistic and immanent than any of them : " Let the garden door be shut " ( III.i.103 ) . And there is of course the buttery from which Toby and Andrew supply themselves with cakes and ale . The attenuated ...
Strana 308
... play . All this is un- exceptionable as far as it goes , but it does not tell us whether the whole “ configuration " of Webster's play , especially in performance , and even granting different interpretations in performance , is ...
... play . All this is un- exceptionable as far as it goes , but it does not tell us whether the whole “ configuration " of Webster's play , especially in performance , and even granting different interpretations in performance , is ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words