From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 34.
Strana 153
... plot play will suggest . Without the Silvius - Phebe plot , for example , As You Like It would suffer the dulling of thematic contrasts that enrich the multiple explorations of love and of pastoral in the play as a whole . Eventually ...
... plot play will suggest . Without the Silvius - Phebe plot , for example , As You Like It would suffer the dulling of thematic contrasts that enrich the multiple explorations of love and of pastoral in the play as a whole . Eventually ...
Strana 223
... plot includes the wedding . The other three begin with the Frankford marriage already long - established . Against ... plot also dramatizing , like the source plot , the frailty of women . He thus does twice what the source does once ...
... plot includes the wedding . The other three begin with the Frankford marriage already long - established . Against ... plot also dramatizing , like the source plot , the frailty of women . He thus does twice what the source does once ...
Strana 232
... plots appear in the sources . As long as adaptation fixes on the present , inconsistencies of time appear , but they do not seem to derive from lack of consciousness . Time bends to the moral and psychological demands of the plot , not the ...
... plots appear in the sources . As long as adaptation fixes on the present , inconsistencies of time appear , but they do not seem to derive from lack of consciousness . Time bends to the moral and psychological demands of the plot , not the ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words