From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
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Strana 266
... popular adaptations , which usually stimulate no aspersions on members as members of other classes . There are exceptions , of course , as in Coriolanus , but these exceptions only test the general rule . Popular adaptations do not ...
... popular adaptations , which usually stimulate no aspersions on members as members of other classes . There are exceptions , of course , as in Coriolanus , but these exceptions only test the general rule . Popular adaptations do not ...
Strana 286
... popular views of sexual conduct . In the popular theatre , sexual conduct is a fact of human life , in the coterie theatre , a bestial deviation . MARRIAGE AND ROMANTIC LOVE IN ADAPTATION It is a lesser irony of literary history that ...
... popular views of sexual conduct . In the popular theatre , sexual conduct is a fact of human life , in the coterie theatre , a bestial deviation . MARRIAGE AND ROMANTIC LOVE IN ADAPTATION It is a lesser irony of literary history that ...
Strana 291
... popular drama.32 In the popular adaptations incursions upon married love engender disorder . Chaos comes again . Heywood's Frankford and Shake- speare's Othello both refrain from indulging the nuptial privilege when they begin to ...
... popular drama.32 In the popular adaptations incursions upon married love engender disorder . Chaos comes again . Heywood's Frankford and Shake- speare's Othello both refrain from indulging the nuptial privilege when they begin to ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words