From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 28.
Strana 225
... present , or in anticipation of the future . Since the drama unfolds an ever - present now , generates at least in its individual scenes a continuous present , with allowances between scenes for conventional disjunctions and o ...
... present , or in anticipation of the future . Since the drama unfolds an ever - present now , generates at least in its individual scenes a continuous present , with allowances between scenes for conventional disjunctions and o ...
Strana 231
... present of uninterrupted time signalled in phenomena perceived by the audience . In Dekker's play , scene II.v ends ... present- ness of each passing moment . And in the present , the audience wil- lingly believes that Eyre can soon be ...
... present of uninterrupted time signalled in phenomena perceived by the audience . In Dekker's play , scene II.v ends ... present- ness of each passing moment . And in the present , the audience wil- lingly believes that Eyre can soon be ...
Strana 232
... present now of the drama than the double - time convention of Elizabethan adaptations . Double- time occurs because the dramatists attend always to various present moments . The ensuing inconsistencies of time have been laid to ...
... present now of the drama than the double - time convention of Elizabethan adaptations . Double- time occurs because the dramatists attend always to various present moments . The ensuing inconsistencies of time have been laid to ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words