From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 94.
Strana 34
... prose fiction source and a play in the Elizabethan theatre . An obvious but fundamental differ- ence , as we see in the Pandosto - Winter's Tale example , between the means of imitation in the two genres is the difference between ...
... prose fiction source and a play in the Elizabethan theatre . An obvious but fundamental differ- ence , as we see in the Pandosto - Winter's Tale example , between the means of imitation in the two genres is the difference between ...
Strana 63
... PROSE FICTION SOURCES : THE CHALLENGE The prose fiction sources available to the Elizabethan dramatists specify few gestures , costumes , properties , or other percepts which the adapting dramatists could appropriate . Things , costumes ...
... PROSE FICTION SOURCES : THE CHALLENGE The prose fiction sources available to the Elizabethan dramatists specify few gestures , costumes , properties , or other percepts which the adapting dramatists could appropriate . Things , costumes ...
Strana 171
... prose fiction had not yet learned how to station a hero in a meaningful spatial context . Even the best fiction of the period , Lodge's and Greene's short romances and Sidney's prose epic , provides few spatial details . Prose fiction ...
... prose fiction had not yet learned how to station a hero in a meaningful spatial context . Even the best fiction of the period , Lodge's and Greene's short romances and Sidney's prose epic , provides few spatial details . Prose fiction ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words