From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 40.
Strana 36
... reality of the theatre permits us to redress Sidney's notion that tragedy " openeth the greatest woundes and sheweth forth the ulcers that are covered with Tissue ... [ and ] teacheth the uncertaintie of this world , and uppon how weak ...
... reality of the theatre permits us to redress Sidney's notion that tragedy " openeth the greatest woundes and sheweth forth the ulcers that are covered with Tissue ... [ and ] teacheth the uncertaintie of this world , and uppon how weak ...
Strana 152
... reality . Its characters shifted space as they moved from place to place speci- fying the locale and noting the time . They lived out their brief chronicles across settings either simultaneous or successive . The Valenciennes stage ...
... reality . Its characters shifted space as they moved from place to place speci- fying the locale and noting the time . They lived out their brief chronicles across settings either simultaneous or successive . The Valenciennes stage ...
Strana 192
... reality not much to rely upon . It is as if a touch of spatial reality such as the " coign of vantage " in Macbeth or the " sumptuous temple which threats the starres with aspiring top " in Faustus would dissipate the dream of willing ...
... reality not much to rely upon . It is as if a touch of spatial reality such as the " coign of vantage " in Macbeth or the " sumptuous temple which threats the starres with aspiring top " in Faustus would dissipate the dream of willing ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words