From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
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Strana 35
... represent an illusion . Thus for the illusory in philosophy Bacon finds his metaphor in the theatre : the idols of the theatre . The perceptual vitality of the theatre as an institution uniquely infuses all kinds of dramatic occasions ...
... represent an illusion . Thus for the illusory in philosophy Bacon finds his metaphor in the theatre : the idols of the theatre . The perceptual vitality of the theatre as an institution uniquely infuses all kinds of dramatic occasions ...
Strana 48
... represent as percept everything in the theatre . Dekker testifies at ( Cambridge , Mass . , 1930 ) , I , 199-200 . Cf. Merchaunt , " Visual Elements " , for a discussion of this combination . See J. R. De J. Jackson , " Coleridge on ...
... represent as percept everything in the theatre . Dekker testifies at ( Cambridge , Mass . , 1930 ) , I , 199-200 . Cf. Merchaunt , " Visual Elements " , for a discussion of this combination . See J. R. De J. Jackson , " Coleridge on ...
Strana 169
... represent a phenomenal world whose moral , philosophical , and phenomenological groundwork is mixed , problematical , and in flux . It is a world whose spaces are relevant to the action that passes through them . It is a world re- plete ...
... represent a phenomenal world whose moral , philosophical , and phenomenological groundwork is mixed , problematical , and in flux . It is a world whose spaces are relevant to the action that passes through them . It is a world re- plete ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words