From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
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Strana 98
... says , " About , my brain " ( II.ii.616 ) , he refers to the common notion of the energetic physiological processes involved in cogitation . When he says , " But break my heart , for I must hold my tongue " ( I.ii.159 ) , he refers to ...
... says , " About , my brain " ( II.ii.616 ) , he refers to the common notion of the energetic physiological processes involved in cogitation . When he says , " But break my heart , for I must hold my tongue " ( I.ii.159 ) , he refers to ...
Strana 103
... says , " Take this from this , if this be otherwise " ( II.ii.156 ) . The stage direction which some modern editions print and which has Polonius pointing to his head and shoulder is an emendation by Pope . It has no early authority ...
... says , " Take this from this , if this be otherwise " ( II.ii.156 ) . The stage direction which some modern editions print and which has Polonius pointing to his head and shoulder is an emendation by Pope . It has no early authority ...
Strana 279
... says on any subject.23 At any rate , " when the blood is made dull " , Iago says , " with the act of sport , there should be , again to inflame it and to give satiety a fresh appetite , loveliness in favour , sympathy in years , manners ...
... says on any subject.23 At any rate , " when the blood is made dull " , Iago says , " with the act of sport , there should be , again to inflame it and to give satiety a fresh appetite , loveliness in favour , sympathy in years , manners ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words