From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
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Strana 171
... spatial - he must learn to understand and to control . But Renaissance prose fiction had not yet learned how to station a hero in a meaningful spatial context . Even the best fiction of the period , Lodge's and Greene's short romances ...
... spatial - he must learn to understand and to control . But Renaissance prose fiction had not yet learned how to station a hero in a meaningful spatial context . Even the best fiction of the period , Lodge's and Greene's short romances ...
Strana 192
... spatial allusions to the themes of the play . Olivia's garden is more realistic and immanent than any of them : " Let the garden door be shut " ( III.i.103 ) . And there is of course the buttery from which Toby and Andrew supply ...
... spatial allusions to the themes of the play . Olivia's garden is more realistic and immanent than any of them : " Let the garden door be shut " ( III.i.103 ) . And there is of course the buttery from which Toby and Andrew supply ...
Strana 204
... spatial life of the play off - stage flows powerfully into the cata- strophe , and we can know no more than that when Othello casts away his pearl . -- " Where should Othello go ? " is a question that contains a spatial metaphor for ...
... spatial life of the play off - stage flows powerfully into the cata- strophe , and we can know no more than that when Othello casts away his pearl . -- " Where should Othello go ? " is a question that contains a spatial metaphor for ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words