From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 75.
Strana 15
... speeches , like Jaques ' on the Seven Ages of Man , Iago's " not poppy nor mandragora " speech , Othello's Pontic Sea speech , Enobarbus ' speech on Cleopatra's barge , and Autolycus ' speech on his criminal activities , often derive ...
... speeches , like Jaques ' on the Seven Ages of Man , Iago's " not poppy nor mandragora " speech , Othello's Pontic Sea speech , Enobarbus ' speech on Cleopatra's barge , and Autolycus ' speech on his criminal activities , often derive ...
Strana 145
... speech , where " God / Stretcheth out his arm , and bends his ireful brows " , is kinetically superior to this speech . There is no movement in the encounter between the farmer and Faustus , even though Faustus performs so prodigious a ...
... speech , where " God / Stretcheth out his arm , and bends his ireful brows " , is kinetically superior to this speech . There is no movement in the encounter between the farmer and Faustus , even though Faustus performs so prodigious a ...
Strana 265
... speech . Shakespeare does not , however , spring the action of an entire play with social conflict . His characters are more than class counters on a social chessboard . When class status alone occasionally governs conduct in popular ...
... speech . Shakespeare does not , however , spring the action of an entire play with social conflict . His characters are more than class counters on a social chessboard . When class status alone occasionally governs conduct in popular ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words