From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 88.
Strana 35
... theatre occasions a perceptual experience , it recurs so often in the literature of the Elizabethan period as one term of metaphor ( “ All the world's a stage " ) . Because the theatre is as pal- pable as flowers , or disease , or ...
... theatre occasions a perceptual experience , it recurs so often in the literature of the Elizabethan period as one term of metaphor ( “ All the world's a stage " ) . Because the theatre is as pal- pable as flowers , or disease , or ...
Strana 37
... theatre is a theatre of words , too . The actors must therefore speak the speeches trippingly on the tongue . Hamlet thus acknowledges the amalgam of percept and construct in his theatre , but his eye remains chiefly on the percepts ...
... theatre is a theatre of words , too . The actors must therefore speak the speeches trippingly on the tongue . Hamlet thus acknowledges the amalgam of percept and construct in his theatre , but his eye remains chiefly on the percepts ...
Strana 38
... theatre , the advice implies , stimulated in the audience percepts of sight and sound . For this reason scholarship which denigrates the perceptual attributes of the theatre seems inappropriate , yet we often hear pejorative references ...
... theatre , the advice implies , stimulated in the audience percepts of sight and sound . For this reason scholarship which denigrates the perceptual attributes of the theatre seems inappropriate , yet we often hear pejorative references ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words