From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
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Strana 19
... tion on the occasion for the loss of the handkerchief in Othello . De Besaucèle , however , hardly taps the import of his observation about the occasion for the loss , an observation to which he comes by noticing that in the source Iago ...
... tion on the occasion for the loss of the handkerchief in Othello . De Besaucèle , however , hardly taps the import of his observation about the occasion for the loss , an observation to which he comes by noticing that in the source Iago ...
Strana 168
... tion of the storm , arises organically and undogmatically from the characters . The adaptation in The Winter's Tale , furthermore , renders the stage space meaningful through the characters ' responses . When Cleomenes and Dion arrive ...
... tion of the storm , arises organically and undogmatically from the characters . The adaptation in The Winter's Tale , furthermore , renders the stage space meaningful through the characters ' responses . When Cleomenes and Dion arrive ...
Strana 216
... tion to their love and on the ensuing conflicts . The events of Romeo and Juliet consume some six days , but the same events take nine months in Brooke's Romeus and Juliet , or in Painter's prose version . The compression results in a ...
... tion to their love and on the ensuing conflicts . The events of Romeo and Juliet consume some six days , but the same events take nine months in Brooke's Romeus and Juliet , or in Painter's prose version . The compression results in a ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words