From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 38.
Strana 91
... tragic question as to the force of chance or cause in the tragic action and Othello's participation in the loss of the handkerchief , we may resist Emilia's assertion that Desdemona let the handkerchief " drop by negligence " ( III.iii ...
... tragic question as to the force of chance or cause in the tragic action and Othello's participation in the loss of the handkerchief , we may resist Emilia's assertion that Desdemona let the handkerchief " drop by negligence " ( III.iii ...
Strana 199
... tragic spatial context correlative with the anters vast and deserts idle against which we first sense Othello's stature and history . The spatial allusions are analogues for the gigantic grotesqueness of his self - deception in his ...
... tragic spatial context correlative with the anters vast and deserts idle against which we first sense Othello's stature and history . The spatial allusions are analogues for the gigantic grotesqueness of his self - deception in his ...
Strana 203
... tragic chance and cause . Shakespeare merely records the tragic event . The cause of the catastrophe he leaves unspecified . Cause is not his business , even though we may rightly infer that " the ulti- mate cause of the suffering must ...
... tragic chance and cause . Shakespeare merely records the tragic event . The cause of the catastrophe he leaves unspecified . Cause is not his business , even though we may rightly infer that " the ulti- mate cause of the suffering must ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words