Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 140
... Desdemona . This is the heart of the matter , put in the simplest possible terms . The question , then , is : why does he rate Iago's honesty higher than Desdemona's ? If it is admitted that Iago is not a symbol of devilish skill in ...
... Desdemona . This is the heart of the matter , put in the simplest possible terms . The question , then , is : why does he rate Iago's honesty higher than Desdemona's ? If it is admitted that Iago is not a symbol of devilish skill in ...
Strana 177
... Desdemona as well as the idea that the play's infusion of charisma into the body of Desde- mona operates in relation to the Renaissance difference between movable property and land . " That Desdemo- na's body replaces the handkerchief ...
... Desdemona as well as the idea that the play's infusion of charisma into the body of Desde- mona operates in relation to the Renaissance difference between movable property and land . " That Desdemo- na's body replaces the handkerchief ...
Strana 206
... Desdemona's performative gestures . For example , when Othello is accused of bewitching Desdemona , and thus marrying her without her " know- ing " what was happening to her , he defends himself on discursive grounds : he argues from ...
... Desdemona's performative gestures . For example , when Othello is accused of bewitching Desdemona , and thus marrying her without her " know- ing " what was happening to her , he defends himself on discursive grounds : he argues from ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York