Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 100.
Strana 1
... Henry V. For further information on the critical and stage history of Henry V , see SC , Volumes 5 , 14 , 30 , 49 , and 67 . INTRODUCTION The concluding drama of Shakespeare's second histori- cal tetralogy , Henry V was first performed ...
... Henry V. For further information on the critical and stage history of Henry V , see SC , Volumes 5 , 14 , 30 , 49 , and 67 . INTRODUCTION The concluding drama of Shakespeare's second histori- cal tetralogy , Henry V was first performed ...
Strana 22
... Henry's typical mode of rule throughout the play . " This invisible com- mand , an extension of his actions as prince , situates Henry between Richard II , whose notorious irresponsi- bility brought him down , and Henry's father , whose ...
... Henry's typical mode of rule throughout the play . " This invisible com- mand , an extension of his actions as prince , situates Henry between Richard II , whose notorious irresponsi- bility brought him down , and Henry's father , whose ...
Strana 34
... Henry is doing what he can under the circumstances : he would take a larger proportion if he could . From the perspective of homosociality , however , we realize that Henry's purpose for taking only one quarter of his army is that Henry ...
... Henry is doing what he can under the circumstances : he would take a larger proportion if he could . From the perspective of homosociality , however , we realize that Henry's purpose for taking only one quarter of his army is that Henry ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
14 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
Časté výrazy a frázy
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York