Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 39
... York and Suffolk ? And is it a coincidence that it is York who petitioned Henry to lead the vanguard , or may we assume that York's desire became the desire of the royal Other as a result of the same sort of manipula- tive coercion ...
... York and Suffolk ? And is it a coincidence that it is York who petitioned Henry to lead the vanguard , or may we assume that York's desire became the desire of the royal Other as a result of the same sort of manipula- tive coercion ...
Strana 143
... York , pushing the audience aside , reveals : Make rome be - lyve , and late me gang , Who makis here all þis þrang ? High you hense ! high myght 3ou hang right with a roppe . I drede me þat I dwelle to lang to do a jape . ( XXII , 1-6 ) ...
... York , pushing the audience aside , reveals : Make rome be - lyve , and late me gang , Who makis here all þis þrang ? High you hense ! high myght 3ou hang right with a roppe . I drede me þat I dwelle to lang to do a jape . ( XXII , 1-6 ) ...
Strana 378
... York ( Edmund of Langley , Duke of York ) Richard II 6 : 287 , 364 , 368 , 388 , 402 , 414 ; 24 : 263 , 320 , 322 , 364 , 395 , 414 ; 39 : 243 , 279 ; 58 : 241 ; 70 : 226 , 231 York ( Richard Plantagenet , Duke of York ) Henry VI ...
... York ( Edmund of Langley , Duke of York ) Richard II 6 : 287 , 364 , 368 , 388 , 402 , 414 ; 24 : 263 , 320 , 322 , 364 , 395 , 414 ; 39 : 243 , 279 ; 58 : 241 ; 70 : 226 , 231 York ( Richard Plantagenet , Duke of York ) Henry VI ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York