Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Výsledky 1 - 3 z 74.
Strana 5
... appears but a man " ( IV.i.100 ff . , 105 ff . ) . Anne Barton sees ironic scrutiny of the " romance " history motif here ; her point can be developed by observing that , in " romance " his- tory , the King's disguise and the equality ...
... appears but a man " ( IV.i.100 ff . , 105 ff . ) . Anne Barton sees ironic scrutiny of the " romance " history motif here ; her point can be developed by observing that , in " romance " his- tory , the King's disguise and the equality ...
Strana 85
... appears in 1962 in a study by Roy Battenhouse which he introduces as " a basic extension " of the God- dard position that Henry V is constructed as a " double- edged " play : It will allow some spectators , blinded by a surface ...
... appears in 1962 in a study by Roy Battenhouse which he introduces as " a basic extension " of the God- dard position that Henry V is constructed as a " double- edged " play : It will allow some spectators , blinded by a surface ...
Strana 108
... appears but a man ; and though his affections are higher mounted than ours , yet when they stoop , they stoop with the like wing " ( 103-10 ) . He does not appear to convince them . Indeed , whatever emotions he may be feeling , Henry ...
... appears but a man ; and though his affections are higher mounted than ours , yet when they stoop , they stoop with the like wing " ( 103-10 ) . He does not appear to convince them . Indeed , whatever emotions he may be feeling , Henry ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York