Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 48
... conscience , and these bars against me " ( 1.2.234 ) , to the murderer's decision not to " meddle with it [ conscience ] , it makes a man a coward " ( 1.4.134-35 ) , the play directs our atten- tion to characters ' choosing to act ...
... conscience , and these bars against me " ( 1.2.234 ) , to the murderer's decision not to " meddle with it [ conscience ] , it makes a man a coward " ( 1.4.134-35 ) , the play directs our atten- tion to characters ' choosing to act ...
Strana 49
... conscience of a king who would also be his country's conscience . From his first appearance , where Henry questions the justness of his claims in France , to his soliloquy the night before the St. Crispin's Day battle , where he ...
... conscience of a king who would also be his country's conscience . From his first appearance , where Henry questions the justness of his claims in France , to his soliloquy the night before the St. Crispin's Day battle , where he ...
Strana 50
... conscience as cor- responding to God's judgment of the individual as a whole , and , while he defines conscience as a cognitive faculty , he too emphasizes its emotional effects - the shame , sadness , and terror of an accusing ...
... conscience as cor- responding to God's judgment of the individual as a whole , and , while he defines conscience as a cognitive faculty , he too emphasizes its emotional effects - the shame , sadness , and terror of an accusing ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York