Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 87
... critics quoted earlier could not have been deliberately misrepresenting Hazlitt , they must have been misreading him . And the nature of their misreading is quite clear : they failed to distinguish his view of Henry from his view of ...
... critics quoted earlier could not have been deliberately misrepresenting Hazlitt , they must have been misreading him . And the nature of their misreading is quite clear : they failed to distinguish his view of Henry from his view of ...
Strana 193
... criticism . Several scholars have since taken up the issue of race in Othello seemingly in response to Orkin's implicit challenge to critics to construct unbiased ( that is , reli- able if not precisely " objective " ) evaluations of ...
... criticism . Several scholars have since taken up the issue of race in Othello seemingly in response to Orkin's implicit challenge to critics to construct unbiased ( that is , reli- able if not precisely " objective " ) evaluations of ...
Strana 218
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Pericles. INTRODUCTION Pericles ( ca. 1607 ) , Shakespeare's first romance , has been considered by some ...
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Pericles. INTRODUCTION Pericles ( ca. 1607 ) , Shakespeare's first romance , has been considered by some ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York