Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 142
... lago , who exhibits distinct affinities with the allegorical figure of Vice found in medieval mystery and morality plays , should more properly be said to derive from stage representations of the Devil . ] For a considerable time ...
... lago , who exhibits distinct affinities with the allegorical figure of Vice found in medieval mystery and morality plays , should more properly be said to derive from stage representations of the Devil . ] For a considerable time ...
Strana 183
... lago . What he will do with it , heaven knows , not I : I nothing but to please his fantasy . ( 3.3.292-301 ) Shakespeare's elision of the staging forces the actor playing Emilia to make choices that are left ambiguous by the text . Why ...
... lago . What he will do with it , heaven knows , not I : I nothing but to please his fantasy . ( 3.3.292-301 ) Shakespeare's elision of the staging forces the actor playing Emilia to make choices that are left ambiguous by the text . Why ...
Strana 208
... lago's vengeance operates . Iago recognizes power when he meets it . He recognizes the strength of Desdemona's resolve , which makes the Senate agree to her remaining with him even in Cyprus . Thus , lago elects to work toward denying ...
... lago's vengeance operates . Iago recognizes power when he meets it . He recognizes the strength of Desdemona's resolve , which makes the Senate agree to her remaining with him even in Cyprus . Thus , lago elects to work toward denying ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York