Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 78.
Strana 127
... later for Desdemona and later still for the Senate in a seemingly endless effort to establish an identity . In this light he is , for the most part , a potential presence only , his dramatic contextual- ization , his presence , being ...
... later for Desdemona and later still for the Senate in a seemingly endless effort to establish an identity . In this light he is , for the most part , a potential presence only , his dramatic contextual- ization , his presence , being ...
Strana 225
... later episodes of the play . Gower's second chorus first summarizes the contrast between Antiochus ' incestuousness and Pericles ' good- ness , then invites the audience to wait patiently until he shows how " those in troubles reign ...
... later episodes of the play . Gower's second chorus first summarizes the contrast between Antiochus ' incestuousness and Pericles ' good- ness , then invites the audience to wait patiently until he shows how " those in troubles reign ...
Strana 252
... later both are miraculously restored to him . The parallels are distinct enough to be interesting , but for what Stephen Greenblatt acidly calls " the conven- tional pieties of source study " they are an embarrass- ment rather than an ...
... later both are miraculously restored to him . The parallels are distinct enough to be interesting , but for what Stephen Greenblatt acidly calls " the conven- tional pieties of source study " they are an embarrass- ment rather than an ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
14 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
Časté výrazy a frázy
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York