Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Výsledky 1 - 3 z 87.
Strana 43
... less visible function of Salic Law in this text . In read- ing Salic law , Henry finds himself reading the handwriting on the wall , because for him this law bars possession of his inheritance in a sense quite different from the bar ...
... less visible function of Salic Law in this text . In read- ing Salic law , Henry finds himself reading the handwriting on the wall , because for him this law bars possession of his inheritance in a sense quite different from the bar ...
Strana 154
... less transgressive at the beginning and less assertive at the end ? What about " so good a wife " as Desde- mona ? Although Desdemona seems much less a player than the duchess of Malfi , she is , in some ways , more — so much so that ...
... less transgressive at the beginning and less assertive at the end ? What about " so good a wife " as Desde- mona ? Although Desdemona seems much less a player than the duchess of Malfi , she is , in some ways , more — so much so that ...
Strana 169
... less surprisingly , Jay Goede's Cassio ( that's a reflection on the character , not the actor ) . The set design by Neil Patel is an odd mixture whose cement pillars and walls sometimes recall contemporary Venice , Calif . , more than ...
... less surprisingly , Jay Goede's Cassio ( that's a reflection on the character , not the actor ) . The set design by Neil Patel is an odd mixture whose cement pillars and walls sometimes recall contemporary Venice , Calif . , more than ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York