Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 169
... never will speak word . " Iago's sudden silence is a rebuke to the comforting idea that human evil has a cause , and thus a cure . All we really know about Iago , in the end , is that he's awful and he's fascinating . And , thanks to ...
... never will speak word . " Iago's sudden silence is a rebuke to the comforting idea that human evil has a cause , and thus a cure . All we really know about Iago , in the end , is that he's awful and he's fascinating . And , thanks to ...
Strana 195
... never possesses the power or desire to subvert civic and natural order " ( 161 ) . To this charge of co - optation or " Uncle Tomism " in Othello , I would respond that Othello uses ingratiation , purposely , to smooth his way in a ...
... never possesses the power or desire to subvert civic and natural order " ( 161 ) . To this charge of co - optation or " Uncle Tomism " in Othello , I would respond that Othello uses ingratiation , purposely , to smooth his way in a ...
Strana 236
... never come to any final understanding . The morally inscrutable world we see on stage is deeply related to the inscrutable forces which shape our own lives . Notes 1. For the importance of the idea of wonder in Shakespeare's tragedies ...
... never come to any final understanding . The morally inscrutable world we see on stage is deeply related to the inscrutable forces which shape our own lives . Notes 1. For the importance of the idea of wonder in Shakespeare's tragedies ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York