Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 175
... object is the feminine beloved of the masculine owner- “ a non - alienated object , one quite the reverse of a commodity , which like the ' auratic ' phenomenon of a Walter Benjamin returns our tender gaze and whispers that it was ...
... object is the feminine beloved of the masculine owner- “ a non - alienated object , one quite the reverse of a commodity , which like the ' auratic ' phenomenon of a Walter Benjamin returns our tender gaze and whispers that it was ...
Strana 188
... object such as a handkerchief accrues value and significance through the otherworldly meaning imputed to it ; in the other , a thing is inherently magical and carries its charm wherever it goes . The handkerchief exhibits both ...
... object such as a handkerchief accrues value and significance through the otherworldly meaning imputed to it ; in the other , a thing is inherently magical and carries its charm wherever it goes . The handkerchief exhibits both ...
Strana 345
... object even when that object has proven disappointing or frustrating . If Venus ' continued attachment to Adonis , beyond any hope of sexual consummation , signifies a kind of enslavement and hence a continued degradation , the tone of ...
... object even when that object has proven disappointing or frustrating . If Venus ' continued attachment to Adonis , beyond any hope of sexual consummation , signifies a kind of enslavement and hence a continued degradation , the tone of ...
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Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York