Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 111
... play invite us to endorse ? And should we assume the efficacy of its patriotic appeal as given in advance , bearing in mind that the play's success depended on its capacity to engage all sections of the socially heteroge- neous ...
... play invite us to endorse ? And should we assume the efficacy of its patriotic appeal as given in advance , bearing in mind that the play's success depended on its capacity to engage all sections of the socially heteroge- neous ...
Strana 188
... play's last scene , he has nothing more to add . Yet the handkerchief is conjured once more in a final tableau : when Othello stabs himself and falls on the spotless wedding sheets , he replicates the pattern of the strawberry - spotted ...
... play's last scene , he has nothing more to add . Yet the handkerchief is conjured once more in a final tableau : when Othello stabs himself and falls on the spotless wedding sheets , he replicates the pattern of the strawberry - spotted ...
Strana 225
... play's language and style of presentation , a spillover from Gower into the enacted episodes . As the play's fourth scene , which shows Cleon and Di- onyza commenting on the famine at Tharsus , is also marked by signs of major textual ...
... play's language and style of presentation , a spillover from Gower into the enacted episodes . As the play's fourth scene , which shows Cleon and Di- onyza commenting on the famine at Tharsus , is also marked by signs of major textual ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York