Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 347
... reader is less likely to sympathize with Venus's cause than is a female reader ; or , on the other hand , that a female reader is necessarily prone to identify with Venus over and against Adonis . Indeed , one of the primary effects of ...
... reader is less likely to sympathize with Venus's cause than is a female reader ; or , on the other hand , that a female reader is necessarily prone to identify with Venus over and against Adonis . Indeed , one of the primary effects of ...
Strana 355
... reader , revealing the ways in which the text is the site upon which the reader's own desires are manipulated , frustrated , and enjoyed . As much of the critical history of the poem reveals , it is extraordinarily difficult , perhaps ...
... reader , revealing the ways in which the text is the site upon which the reader's own desires are manipulated , frustrated , and enjoyed . As much of the critical history of the poem reveals , it is extraordinarily difficult , perhaps ...
Strana 362
... reader into fleshing out what the text occludes . Venus argues her familiar positions all too thoroughly , leaving the reader no task but assent . But drawing the reader into chasing an alternative that is not fully visible , traceable ...
... reader into fleshing out what the text occludes . Venus argues her familiar positions all too thoroughly , leaving the reader no task but assent . But drawing the reader into chasing an alternative that is not fully visible , traceable ...
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Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York