Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Výsledky 1 - 3 z 89.
Strana 93
... role of avenger on behalf of Gloucester , whose identity as sacrificing Abel ( 104 ) is reinforced by the Duchess of Gloucester's entreaty ad- dressed to Gaunt - an appeal to " brotherhood " and a protest against the desecration of a ...
... role of avenger on behalf of Gloucester , whose identity as sacrificing Abel ( 104 ) is reinforced by the Duchess of Gloucester's entreaty ad- dressed to Gaunt - an appeal to " brotherhood " and a protest against the desecration of a ...
Strana 194
... role as playwright or stage director , prefers to have us see the play as a morality drama , with himself in the role of Chief Vice . Through deceit and innuendo , Iago seeks to destroy Othello's romance by turning the virtue of the ...
... role as playwright or stage director , prefers to have us see the play as a morality drama , with himself in the role of Chief Vice . Through deceit and innuendo , Iago seeks to destroy Othello's romance by turning the virtue of the ...
Strana 237
... Role of the Authorial Presenter . " Philological Quarterly 54 , no . 2 ( spring 1975 ) : 434-43 . [ In the following essay , Eggers focuses on the character of Gower as an " authorial presenter , " a dramatic role common during late ...
... Role of the Authorial Presenter . " Philological Quarterly 54 , no . 2 ( spring 1975 ) : 434-43 . [ In the following essay , Eggers focuses on the character of Gower as an " authorial presenter , " a dramatic role common during late ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York