Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 27
... speeches Henry delivers on the eve of the battle at Agincourt that reveals how well he knows his men . To treat the second of Henry's audiences first : Henry's prebattle speech to the nobles is apparently very traditional . To overcome ...
... speeches Henry delivers on the eve of the battle at Agincourt that reveals how well he knows his men . To treat the second of Henry's audiences first : Henry's prebattle speech to the nobles is apparently very traditional . To overcome ...
Strana 102
... speech , a rehearsing of a fable that had classical and Renaissance precedents , ' is often cited by earlier critics as a key to the play's central theme ; J. H. Walter terms it a " reflec- tion of Shakespeare's concern with unity of ...
... speech , a rehearsing of a fable that had classical and Renaissance precedents , ' is often cited by earlier critics as a key to the play's central theme ; J. H. Walter terms it a " reflec- tion of Shakespeare's concern with unity of ...
Strana 329
... speech act of promising , however , my general argument about Venus remains valid : rather than suggesting that her infelicitous speech act reflects her self- centeredness , one could maintain that her inability to recognize that Adonis ...
... speech act of promising , however , my general argument about Venus remains valid : rather than suggesting that her infelicitous speech act reflects her self- centeredness , one could maintain that her inability to recognize that Adonis ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York