Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 37
... tells us , " and felt [ Fal- staff's feet ] , and they were as cold as any stone . Then I felt to his knees , and so upward and upward , and all was as cold as any stone " ( 2 : 3 , 21-24 ) . Without desire , without love , the ...
... tells us , " and felt [ Fal- staff's feet ] , and they were as cold as any stone . Then I felt to his knees , and so upward and upward , and all was as cold as any stone " ( 2 : 3 , 21-24 ) . Without desire , without love , the ...
Strana 157
... tells of a woman , " I , " who " sat ( sighing ) by a sycamore tree " ( IV.iii.40 ) , mourning a lover , and declaring : " Let nobody blame him , his scorn I approve " " ( IV.iii.52 ) . Her approval , however , seems more strategic than ...
... tells of a woman , " I , " who " sat ( sighing ) by a sycamore tree " ( IV.iii.40 ) , mourning a lover , and declaring : " Let nobody blame him , his scorn I approve " " ( IV.iii.52 ) . Her approval , however , seems more strategic than ...
Strana 186
... tells him that he must give it away in order for the charm to work at all . Perhaps , Desdemona's telling admission that " My heart's subdued / Even to the very quality of my lord " ( 1.3.24647 ) notwithstanding , the magic subdues ...
... tells him that he must give it away in order for the charm to work at all . Perhaps , Desdemona's telling admission that " My heart's subdued / Even to the very quality of my lord " ( 1.3.24647 ) notwithstanding , the magic subdues ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York