Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Zväzok 79Gale Research Company, 1984 |
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Strana 126
... turn , has prompted much critical dispute , which inevitably turns on Othel- lo's verbal proclivities and therefore his character . In a well - documented critical dialogue , when A. C. Bradley defined Othello as a poetic romantic ...
... turn , has prompted much critical dispute , which inevitably turns on Othel- lo's verbal proclivities and therefore his character . In a well - documented critical dialogue , when A. C. Bradley defined Othello as a poetic romantic ...
Strana 224
... turn the conventional morals into tags that Gower would wish us to remember , tags that strike us as naive in their simplicity and patness , as do his own . Our first impression of Pericles is that of a prince singularly bold . The ...
... turn the conventional morals into tags that Gower would wish us to remember , tags that strike us as naive in their simplicity and patness , as do his own . Our first impression of Pericles is that of a prince singularly bold . The ...
Strana 229
... turning after his tragedies once more to works of an entirely new kind , the romances , his imagination and experimentation took a dazzling turn so great that most producers and critics have failed to understand what happened . We know ...
... turning after his tragedies once more to works of an entirely new kind , the romances , his imagination and experimentation took a dazzling turn so great that most producers and critics have failed to understand what happened . We know ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorské práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York