European Theories of the Drama: An Anthology of Dramatic Theory and Criticism from Aristotle to the Present Day, in a Series of Selected Texts, with Commentaries, Biographies, and Bibliographies
Stewart & Kidd Company, 1918 - 501 strán (strany)
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according action actors ancients appeared Aristotle audience beautiful beginning better called cause century character comedy comic complete concerned Corneille criticism drama dramatist edition effect English essays example fable fact feel follow forced French genius give Greek hand happened History human humor idea imitation important interest Italy kind least less literature living London manner matter means mind moral nature necessary never object observed original Paris passions persons piece Plautus play plot poem poet poetic poetry Preface present probably produced published reason represented rules scene sense Shakespeare sort soul speak stage story success theater théâtre theory things thought tion tragedy tragic translated true truth unity vols whole write written York
Strana 189 - A continued gravity keeps the spirit too much bent ; we must refresh it sometimes, as we bait in a journey, that we may go on with greater ease.
Strana 436 - I confess for myself that (with no great delinquencies to answer for) I am glad for a season to take an airing beyond the diocese of the strict conscience, — not to live always in the precincts of the law-courts, — but now and then, for a dream-while or so, to imagine a world with no meddling restrictions— to get into recesses, whither the hunter cannot follow me — — . Secret shades Of woody Ida's inmost grove, While yet there was no fear of Jove.
Strana 204 - The circumscription of time wherein the whole drama begins and ends, is according to ancient rule, and best example, within the space of twenty-four hours.
Strana 105 - For where the stage should always represent but one place, and the uttermost time presupposed in it should be, both by Aristotle's precept and common reason, but one day; there is both many days and many places inartificially imagined.
Strana 100 - A tragicomedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near it, which is enough to make it no comedy...
Strana 436 - I feel the better always for the perusal of one of Congreve's — nay, why should I not add even of Wycherley's ? — comedies. 1 am the gayer at least for it ; and I could never connect those sports of a witty fancy in any shape with any result to be drawn from them to imitation in real life.
Strana 105 - Afric of the other, and so many other under-kingdoms, that the player, when he comes in, must ever begin with telling where he is, or else the tale will not be conceived? Now ye shall have three ladies walk to gather flowers, and then we must believe the stage to be a garden. By and by we...
Strana 189 - Their plots are single, they carry on one design, which is pushed forward by all the actors, every scene in the play contributing and moving towards it. Our plays, besides the main design, have underplots, or by-concernments, of less considerable persons and intrigues, which are carried on with the motion of the main plot...
Strana 188 - ... like some of ours, derived from the Spanish novels. There is scarce one of them without a veil, and a trusty Diego, who drolls, much after the rate of The Adventures.
Strana 106 - ... delighted with laughter. Yet deny I not but that they may go well together. For as in Alexander's picture well set out we delight without laughter, and in twenty mad antics we laugh without delight, so in Hercules, painted with his great beard and furious countenance, in woman's attire, spinning at Omphale's commandment, it breedeth both delight and laughter. For the representing of so strange a power in love procureth delight : and the scornfulness of the action stirreth laughter.