Shakespeare, the Roman PlaysHollis & Carter, 1963 - 288 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 55.
Strana 12
... political principles involved . At the end of the play an order is indeed restored in Rome , but one which , we must surely feel , is invested with no particular institutional prestige , which is portrayed indeed with an acute and ...
... political principles involved . At the end of the play an order is indeed restored in Rome , but one which , we must surely feel , is invested with no particular institutional prestige , which is portrayed indeed with an acute and ...
Strana 13
... political elements of the tragedy are con- sistently balanced one against the other . In the political order Octavius prevails , and we would not have it otherwise . In a some- what similar way the Lancastrian ideal had prevailed in the ...
... political elements of the tragedy are con- sistently balanced one against the other . In the political order Octavius prevails , and we would not have it otherwise . In a some- what similar way the Lancastrian ideal had prevailed in the ...
Strana 108
... political judgements are indeed insecure in the world here de- picted , and it is certain that necessity will make strange bed- fellows : how the fear of us May cement their divisions and bind up The petty difference , we yet not know ...
... political judgements are indeed insecure in the world here de- picted , and it is certain that necessity will make strange bed- fellows : how the fear of us May cement their divisions and bind up The petty difference , we yet not know ...
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Časté výrazy a frázy
action affirmation Antony and Cleopatra Antony's appeal assertion attitude Aufidius balance blood Brutus Caesar Cassius Charmian Cominius confirms contemplate contrast Coriolanus cynicism death decision Decius dramatic effect Egypt elements emotion enemies Enobarbus episode exaltation exchange expression eyes fact feeling finally follows force fortunes friends Fulvia generosity gesture gods hath heart hero hero's honour human illusion implied imposes intensity intimate irony judgement Julius Caesar King Lear lead Lepidus Macbeth Marcius Mark Antony Menenius mood moral nature nobility noble Octavius once outburst passion patra patrician phrase play play's plea Plutarch poetry political Pompey present reaction ready realism reality reflection reply resolution response revealing rhetorical rival Roman Rome ruin scene seeks sense Shakespeare shame Sicinius situation speak speaker's speech spirit stresses thee thou tion tragedy tragic tribunes true truth turn typical unnatural utterance Volscian Volumnia weakness whilst words