Theatre, the Rediscovery of Style

acting course actor American André Obey Antoine architecture artistic attitude audience believe Brecht called Centre century character Charles Dullin Chekhov classical play classical theatre Comédie Française Compagnie des Quinze contemporary Copeau costume create creative designer directed director dramatic dramatists Dullin Elizabethan English experience expression feel France freedom French classical George Devine give Glen Byam Shaw Greek human reality idea important improvisation influence interpretation invention Jacques Copeau Jean Vilar Jean-Louis Barrault John Gielgud Jouvet kind Laurence Olivier London Theatre Studio Louis Jouvet mask meaning MICHEL SAINT-DENIS modern realism modern theatre Molière movement naturalism Old Vic School organisation Paris past period physical poet practice production Racine rehearsals relationship reveal Russians scenery scenes Shakespeare sort stage Stanislavski Strasbourg style stylisation talent technical courses Théâtre theatrical Three Sisters tion tradition Vieux Colombier word young actor