Collaborative Form: Studies in the Relations of the ArtsKent State University Press, 1991 - 205 strán (strany) Collaborative Form attempts to show the nature and limits of works of art that are made up of two or more artistic forms. The first task of this book is to analyze and interpret a set of such combinations. Each chapter treats one collaborative work and attempts to show that the principles of collaboration are the same, whether the components are poetry and graphic works as in Lettera Amorosa by Rene Char and George Braque, poetry and music as in Herzgewachse by Maurice Maeterlinck and Arnold Schoenberg, or more complex sets that include painting, music, dance, lighting, and drama as in Der gelbe Klang by Wassily Kandinsky, Morder, Hoffnung der frauen by Oskar Kokoschka, and Triad by Alwin Nikolais. Hines breaks down disciplinary barriers and then emphasizes the effects of the interactions between the arts. The first step, in methodology, is that of refusing to make a priori commitments to the critical methodologies of the arts involved. Each art is treated from its own perspective, and each interpretation attends to interactions of the arts rather than to the contribution of any one art. Once the collaborative works are examined, the book shows that such works are similar to other art forms. They obey the laws of temporal necessity, non-addition, multiple interpretation, and unity that any poem, painting, or musical composition might be said to obey. Unlike other arts though, collaborative forms are unique examples of the combinative effects of the arts. In the process of interpreting individual works and attempting to summarize this form, we are forced to see beyond the conventions of the constituent arts. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 19.
... synthesis as the most powerful purveyor of the " vision and expres- sion of the indwelling spirit of nature . " " Das Gesamtkunstwerk , that infamous term associated with Richard Wagner 1 INTRODUCTION: Collaborative Form.
... Gesamtkunstwerk , they nonetheless form a limited set of works which all combine the same arts . They are products of the same mind and the same method of combination . Subsequent devotees to the " total work of art " sought to add fur ...
... Gesamtkunstwerk seemed viable even though few subsequent artists actually attempted to combine any arts in collaborative works . In the twentieth century , other terms have been invented to name collaborative art and , though none of ...
... Gesamtkunstwerk , though all three creators might deny any such pretension . In Kokoschka's Minder , Hoffnung der Frauen ( 1909 ) , Kandinsky's Der gelbe Klang ( 1909 ) , and Nikolais ' Triad ( 1975 ) , the difficult ideal of the ...
... Gesamtkunstwerk . The celebrity accorded any artist is thus unlikely to come from experiments , how- ever successful , in collaborative forms . The most obvious reasons for this fact are implied in the series of difficulties just ...
Obsah
1 | |
14 | |
The Warmth of the Face of the Newborn | 31 |
On the Spiritual in Art | 57 |
The Relation of the Text | 81 |
The Stage Composition | 99 |
Der Sturm | 125 |
The Sacred and the Profane | 145 |
The Theory of Collaborative Form | 164 |
Notes | 175 |
Bibliography | 195 |
Index | 201 |
Iné vydania - Zobraziť všetky
Collaborative Form: Studies in the Relations of the Arts Thomas Jensen Hines Zobrazenie úryvkov - 1991 |