Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 16.
Strana 14
... fit with contemporary taste. (Othello, 215-16, note 40) In academic terms, an abject Othello becomes the basis for solidarity with the marginalized and dispossessed. Cowhig thus argues that “However great Othello's confidence, his ...
... fit with contemporary taste. (Othello, 215-16, note 40) In academic terms, an abject Othello becomes the basis for solidarity with the marginalized and dispossessed. Cowhig thus argues that “However great Othello's confidence, his ...
Strana 32
... fit the black stereotype” (9). Coleridge and Lamb's American counterpart in racist interpretations, John Quincy Adams, similarly maintained: “The great moral lesson of the tragedy of Othello is that black and white blood cannot be ...
... fit the black stereotype” (9). Coleridge and Lamb's American counterpart in racist interpretations, John Quincy Adams, similarly maintained: “The great moral lesson of the tragedy of Othello is that black and white blood cannot be ...
Strana 45
... fit for military command. Emphasizing the military ethos in the play, director Dennis Scott even choreographed the changing of the guard between acts (Markland Taylor). Mel Gussow praised Dutton's “visceral” interpretation and the envy ...
... fit for military command. Emphasizing the military ethos in the play, director Dennis Scott even choreographed the changing of the guard between acts (Markland Taylor). Mel Gussow praised Dutton's “visceral” interpretation and the envy ...
Strana 51
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Strana 63
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York