Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 66.
Strana 6
... Brabantio can sympathize with Othello until he sees only the typical stage Moor, the man who bewitched his daughter. Those who sympathize see Othello as a brave warrior in control of his own destiny. Is not this the moral of his tale to ...
... Brabantio can sympathize with Othello until he sees only the typical stage Moor, the man who bewitched his daughter. Those who sympathize see Othello as a brave warrior in control of his own destiny. Is not this the moral of his tale to ...
Strana 13
... Brabantio” (447). (Barthelemy similarly claims that Barbantio's dream comes true [“Introduction,” Critical Essays, 10]). In discussing Othello's “self-hatred,” Patrick Hogan comes close to Eliot but vindicates Othello providentially ...
... Brabantio” (447). (Barthelemy similarly claims that Barbantio's dream comes true [“Introduction,” Critical Essays, 10]). In discussing Othello's “self-hatred,” Patrick Hogan comes close to Eliot but vindicates Othello providentially ...
Strana 18
... Brabantio warns, “Look to her, Moor, if thou has eyes to see/She has deceived her father, and may thee” (1.3.292-93). Georges Bonnard branded her “a rebellious child” (183). No less a great one than President John Quincy Adams faulted ...
... Brabantio warns, “Look to her, Moor, if thou has eyes to see/She has deceived her father, and may thee” (1.3.292-93). Georges Bonnard branded her “a rebellious child” (183). No less a great one than President John Quincy Adams faulted ...
Strana 20
... Brabantio's opposing her marriage (242). Other readers contend that Desdemona is only partially responsible for her fate. Janet Overmeyer, surprisingly, blames Desdemona for not being more shrewd and worldly. Margaret Loftus Ranald ...
... Brabantio's opposing her marriage (242). Other readers contend that Desdemona is only partially responsible for her fate. Janet Overmeyer, surprisingly, blames Desdemona for not being more shrewd and worldly. Margaret Loftus Ranald ...
Strana 28
... Brabantio and Roderigo, an exchange that continues, less successfully, in the confrontation in act 1.2 between Othello and the officers ofthe night. Acts 2.3, 4.1, and 5.1, though, are Iago's most energetic and fruitful “staged ...
... Brabantio and Roderigo, an exchange that continues, less successfully, in the confrontation in act 1.2 between Othello and the officers ofthe night. Acts 2.3, 4.1, and 5.1, though, are Iago's most energetic and fruitful “staged ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York