Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - 472 strán (strany) Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Výsledky 1 - 5 z 87.
Strana 4
... Desdemona, shouted: 'It will never be said that in my presence a confounded Negro has killed a white woman! ”' whereupon “he fired his gun and broke an arm of the actor who was playing the Moor. (Othello, 12) Conversely, when the ...
... Desdemona, shouted: 'It will never be said that in my presence a confounded Negro has killed a white woman! ”' whereupon “he fired his gun and broke an arm of the actor who was playing the Moor. (Othello, 12) Conversely, when the ...
Strana 5
... Desdemona (Lower, 221). Yet the range of responses to Othello and the fair Desdemona also includes that of “a refined and lovely young lady” who, upon seeing Edwin Forrest's virile nineteenth-century Othello, confessed that “if that is ...
... Desdemona (Lower, 221). Yet the range of responses to Othello and the fair Desdemona also includes that of “a refined and lovely young lady” who, upon seeing Edwin Forrest's virile nineteenth-century Othello, confessed that “if that is ...
Strana 12
... Desdemona. Michael Neill insightfully notes that with Iago usurping both Desdemona's and Cassio's places, Othello himself become's “occupied territory” (“Changing Places in Othello,”129). The noble Moor, the defender of Venice, becomes ...
... Desdemona. Michael Neill insightfully notes that with Iago usurping both Desdemona's and Cassio's places, Othello himself become's “occupied territory” (“Changing Places in Othello,”129). The noble Moor, the defender of Venice, becomes ...
Strana 16
... Desdemona with anything like true balance” (169). Inevitably, Desdemona has been incorporated into the overall perplexities of the play. As S. N. Garner puts it: Desdemona's character is neither simple nor any more easily defined than ...
... Desdemona with anything like true balance” (169). Inevitably, Desdemona has been incorporated into the overall perplexities of the play. As S. N. Garner puts it: Desdemona's character is neither simple nor any more easily defined than ...
Strana 17
... Desdemona than conventional readings have promulgated: It had never occurred to me that Othello could be seen as the Moor's wife's tragedy-we never get to know her well enough. But let Brooks [Othello] fall by the wayside too early, and ...
... Desdemona than conventional readings have promulgated: It had never occurred to me that Othello could be seen as the Moor's wife's tragedy-we never get to know her well enough. But let Brooks [Othello] fall by the wayside too early, and ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York